Roy writes:
Hmmm, I was totally unaware that classical music needs to be further defined to include “western.” That seems odd to me since so many of the great classical artists were Russian.
I still find when shopping in music stores that what I’m looking for is in the section titled, “classical.” I haven’t seen the “western classical” section yet.
I would have thought, since Roy claims to be a “classical” music lover, he would know, at least, the basics of music theory. But although Roy claims to be a well-integrated expat in Bali, he still thinks like an arrogant Yankee who believes that the world revolves around western civilization.
Of course, when I walk into a Virgin or Tower Records store in Paris, London, or New York, and I ask for the “classical section,” I will be directed to a section where I can find music by Haydn, Beethoven, Stravinsky, or Khachaturian. But I am afraid that in a music store in Delhi, if I ask for the “classical” section, I most likely first be asked, “north Indian or south Indian?” and will then be directed to a section where I will find music by Bhimsen Joshi, Ravi Shankar, Hariprasad Chaurasia, or by M. Balamuralikrishna or M.S. Subbulakshmi. And when Arjoto, the leader of our Boston Village Gamelan, talked about “classical” music, we knew he did not mean Beethoven or Shostakovich, but maybe Subowo or Suwardi.
Where to start, as I don’t feel like spending time teaching music theory?
1) The term “classical” is contrasted with “popular” or “folk music.” Thus, each area on the globe, each country has these types of music.
2) In the English language, “classical” refers to the European classical tradition. But this is ONLY in the English language. Musicologists, when talking about musical traditions, must differentiate between styles and always specify “Western” classical music, unless there is no ambiguity about what type of “classical” music they are talking about.
3) Russia is located in Europe, and therefore its music composers are considered Western composers. However, it is NOT because they are native from a European country, but because of the rules they follow in their compositions. But Japanese composer Toru Takemitsu writes music in the Western classical style, using, most of the time, the well-tempered scale. He does not write in the classical
Gagaku or
Kokufu kabu styles. He is considered a Western classical composer of Japanese origine.
4) These rules of music composition are characterized among other things, by the melodies, harmonies, and rhythms.
5) In traditional Western music, classical or others, scale degrees are most often separated by equally tempered tones or semitones, creating at most, twelve pitches. Other musical traditions use scales that include other intervals and/or a different number of pitches. For examples, Indian classical music uses a microtonic scale. Gamelan music uses a variety of scales including Pélog and Sléndro, which has no equally tempered intervals.
Etc, etc.
It’s too bad you never took the opportunity (from what you wrote, I know you did not) to have conversations with one of your neighbor, the renowned ethnomusicologist Robert E. Brown, who lived for long time near your village, at his
Girikusuma (Flower Mountain) in Payangan. And if you could have been quite and listen for a change, you might have learn something about “classical” music. I did.